History:
Richard Vale was a lounge singer from Pittsburgh, Pennsylvania. Vale relocated to attend college in Los Angeles, California where he met accordionist / keyboardist Derek Reymer. Vale started singing live in the mid 1960's and soon founded his own group, The Gems, with Reymer. Richard Vale and The Gems held a residency at The Three Oaks club in Los Angeles.
Roger Crowel joined the band on drums and they soon recorded a live album titled "The Many Moods Of Richard Vale And The Gems". It was released on CustomCraft out of Hollywood probably in 1966 or early 1967.
The Gems continued perfoming around LA and expanded to other clubs. This resulted in another album release titled "Where Am I Going". Probably released in late 1968, this album was produced by Vale through his own Vale Records label. The album is noted for its more laidback jazz tunes along with some slightly psychedelic tracks. It is the only studio album Vale ever recorded.
By the early 1970's Richard Vale and The Gems had broken up. Richard Vale reformed the trio with Derek Reymer (now credited with keyboards) and recruited Joe Barile as their new drummer. Joe Barile was very experienced. He played on a few albums with the country rock / blue eyed soul band Shango. Shango had a top 50 hit but flopped afterwards and broke up. Barile joined The Program soon after the break up. It is unclear if Reymer played cordovox or a custom keyboard rig consisting of synth bass, organ, and electric piano during this period. He switched to a multi-keyboard setup at some point in the 1970’s. Vale also contributed glockenspiel and percussion during this period.
The trio remained in LA and recorded a live album together in 1972 titled "I Believe In Music Volume 1 and 2". Intended as a double album, the recordings are quite obscure and showcase Vale's funkier side. There are some original tunes on Volume 1 that were most likely written by Reymer and Vale. I couldn't find lyrical matches for "You Say You're Gonna Leave Me" and "Another Sunny Day" online. Both albums were recorded live in an Italian restaurant. Reymer sang a few lead vocals on both volumes.
Barile left The Program the following year to become the drummer for The Ventures. That most likely resulted in the band breaking up. Barile performed with The Ventures for six years afterwards. Reymer continued playing weddings and parties and eventually opened a music company that was sold to Eddie Van Halen. If my research is correct, Richard Vale passed away in 2001 while still living in California.
Where Am I Going? (1968, Vale Records)
Rating: 6/10
Side one is really really good. Crooner ballads with lovely keyboard work (probably cordovox but some organ might also be present). Vale's best performances on vocals are on "Where Am I Going?" and "Free Again". Both are outstanding moody versions with great trippy keys. Even their take on "Sunny" is pleasant and inventive with an odd raga inspired break halfway through. Side two falls incredibly flat. Their stab at "Can't Take My Eyes Off You" is solid. Rest of the side is extremely boring.
I Believe In Music Volume 1 (1972, Not On Label)
Rating: 8/10
An odd but neat lounge rock / soul affair featuring some really nice keyboard work and really good grooving from the rhythm section. Reymer is an exceptional keyboardist and his synth bass sounds incredible on this record. Very punchy sound. He even contributed a few original tunes too.
I like the group’s stab at “Somewhere”. The verses are very mellow. There is a nice wah wah filled “We’re All Goin’ Home” take that is quite long (almost six minutes). The group’s baroque version of Neil Diamond’s “Play Me” is pretty.
Two originals performed here are very cool. “You Say You’re Gonna Leave Me” is an outstanding funky pop tune with good lyrics, a great groove, and one of Vale’s best vocals. “Always A Sunny Day” was probably written by Reymer since he sings it on the album. A nice lounge tune with good keys.
I Believe In Music Volume 2 (1972, Not On Label)
Rating: 6/10
Funkier than Volume 1 but less creative overall. Some nice keyboard layering and vocals on "Someone Of My Own" and "Ivy". Solid take on Marvin Gaye's "Mercy Mercy Me" as well. The album just falls a bit flat overall, and I don't like the instrumental "Joy" too.