History:
The Last Next was a garage rock band from New York City. Not much is known about the band. The group was recruited by a team consisting of soul producer Lucky Dixon and arranger Sampson Horton to record an album for a local songwriter. The songwriter was named Stephen Charles Groll, a veteran of the Vietnam War who had returned to the city with songs about his combat experience and life story.
Groll wanted a contemporary sound for his tunes, so he enlisted Dixon, Horton, and The Last Next to make his song ideas a reality. The band convened likely at Bell Sound Studios (that’s where the lacquer was cut at least) and recorded “A Brand New Category of Music: Shanty Blue Folk” in 1972. The album features The Last Next on all tracks, but some feature a guest vocalist. Frankie Coe, a New York based soul and R&B singer, was brought in to lay down lead vocals on three tracks. He recorded three singles before this appearance, including a rare northern soul 45 privately pressed in the city.
The resulting album is an interesting mix of genres. A good chunk of the album is this odd sloppy combination of blues and electric folk rock. The rest of the tunes are in the psychedelic direction with prominent organ. The tracks are pretty rudimentary and raw overall with wavering vocals and sloppy guitar solos.
Nothing more seems to have come from The Last Next. Lucky Dixon continued his lengthy career as the head of his own music publishing company in New York City.
A Brand New Category Of Music: Shanty Blue Folk (1972, Lucky Disc Records)
Rating: 6/10
A strange cacophony of garage blues, folk rock, and light psych all merged into one album. A lot of the songs are pretty derivative as the instruments on most tracks consist of just electric guitars, bass, and drums. However, a couple of the more psych / soul influenced tunes are pretty good. Two of Coe’s vocal spots are great. “Sarah” is a nice ballad with organ and sloppy guitars. Nice vocal too. “Tricia I’m Begging You” is similar but has a harder edge with nice lead guitar work. The track prior, “Just This Side Of Tomorrow”, and “Riddle Of The Coming Hurt” are two of the more overtly psych influenced numbers. The latter has a terrible vocal but the arrangement is darker with electric piano. The other tune is nice with upfront organ and a rootsy sound.
The rest of the album is electric blues rock with folk rock influences. They aren’t bad per se but boring arrangement wise. Lot of harmonica on those numbers. Overall a weird album with some nice tunes.